“Tangled” is rated PG (Parental guidance suggested). Mild and sweet, but sometimes also rough and scary.
Directed by Nathan Greno and Byron Howard; written by Dan Fogelman; music by Alan Menken, lyrics by Glenn Slater; produced by Roy Conli; released by Walt Disney Pictures. Running time: 1 hour 32 minutes.
Sneak Peak: - To look at "Tangled," on three or two sides, is like entering a typical old well-prepared and well-groomed place. Not gentrified, exactly, and certainly not destroyed, but made modern. The architecture - especially that castle, whose tower is adorned with clouds - is more or less as you remember, and among the inhabitants are a common group of princesses, aroused animals (horse and caterpillar), villains and buffoons. The sounds of the ambient (Alan Menken's music) have brought you back to the beautiful world of depressing longing and incredible evil. But the decor is shiny, the speed is a little faster, the overall weather is smooth and efficient, with just a few welcome notes of self-conscious classicism.
This is, after all, a delightful place to visit. Which means a lot, considering how bad it might have been in recent years. (Do you remember "The Little Chicken"? "The Precious Planet"? Following a company culture, like it or not - and even if you say you don't do it, you really do! - a brilliant touchstone of the famous American culture, this film, directed by Nathan Greno and Byron Howard from Dan Fogelman's script, is a glamorous romantic music legend. Consistent with the current beauty held by Pixar for the company, it has a story that takes a certain amount of freedom; a soft, vibrant visual style; and the willingness to marry with sophisticated psychology in the simplicity of a journal.
Fortunately, Flynn shut his mouth before too long, allowing the story to find its proper center of gravity, belonging to Rapunzel (Mandy Moore), an exiled princess confined to a tower with only her magical hair and a lizard to comfort her. And living there his mother, or any evil witch called Mama Gothel (Donna Murphy), who snatched the girl from her real parents and raised her in a cruel, harmless, and aggressive, physical and mental captivity.
On its long road to the theater near you, "Tangled" had a few different titles. To the best of my knowledge, none of them were titled “Rapunzel: Based on the novel ‘Push ’by Sapphire,” but the film of mother deer may remind you of “Precious,” other than relative sleep, poverty, or violence. (A frying pan with arms is used, but not as a tool for domestic violence.)
The Disney pantheon is full of bad parenting mothers, though no one matches Mother Gothel with a sad tune. The old-fashioned viewer, has washed Rapunzel to love her, and her vicious selfishness is hidden by the sweet words of pleading. However, he actually keeps the girl close only because of those golden hair, which has the power to heal wounds, cure illnesses and, most importantly with Mother Gothel's goals, to reverse the aging process.
But Rapunzel is young, curious and alive, and as she approaches her 18th birthday, she embarks on a common heroic journey to find herself, accompanied by Flynn and chased by her mother, who had been working with Flynn in crime (a thief as well as a charmer) and a tireless police horse arrogance, dancing and robbery represent the perfect marriage of Pixarian technical bravura and Disneyesque cartoon.
The sequence of action is fast-paced and breathless, and the second best and most amazing characters offer pieces of comedy, but without a doubt you can find chases and adventures of this kind from separating cartoons from almost any major studio these days. The heart of Disney cartoons lies in the song and the spectacle, and although none of the songs available here are classed as “The Little Mermaid” or “Beauty and the Beast,” they are good enough, and they have been made even better. And the clarity of Ms.'s voice. Moore.
Visually, there is a wonderful sequence with excellent details, old Disney hand-drawn features, including a few that make good use of 3-D technology. The scene of the fog lamps floating in the water is very surprising, in part because it comes from the usual 3-D persistence of deep focus and sharply defined images, creating a feeling almost indistinguishable from its dreamy softness. Like most of "Tangled," this season gives a new look to the most common magic.
What people say about this movie:-
With depressing jaws and a vibrant heart this is exactly what you would like in a fairy tale: memorable, magical, and beautiful. We do not remember the last time we saw a film that was so exciting - almost nothing we could complain about here in any way and we highly recommend from the comics to the comedians to a few of the best scenes - this is one of the best. Films of the year and deserves its great boxing success. If you are perhaps hesitant to see it as you think it will simply revive old Disney ideas or not fit little kids I would say those are always my first worries, but here for the first time in a very long time I can honestly say that. Here we have a film that maintains its integrity so, even with the death of this villain, you do not feel that it has been included in the horror. All in all, the magic, the humor, the ingenuity, and the well-thought-out for the upcoming Oscar-winning film - the best animated film of the year as, in addition to Toy Story 3, rises beyond the animation. Make a beautiful heart-filled trip that makes for a very satisfying look.Overall it's a nice animation and good storyline so thumbs up for this movie 🍿.
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