Movie star :- 🌟🌟🌟

Genre: Mystery & Thriller

Original Language:English

Director: Jon Hewitt

Producer: Lizzette Atkins

Writer: Jon Hewitt, Belinda McClory

X:NIGHT OF VENGEANCE: On General Release Friday 20th January

 Sneak pick: - Senseless violence and the relentless onslaught of women and hate are all featured in this disgusting Australian show directed by Jon Hewitt.

X: The Night of Revenge focuses on the subterranean realm of prostitution, crooked copies and drug trafficking, stamping out a straight line separating important, immovable film and direct voyeuristic waste. Needless to say, it appears as empty voyeuristic waste.


Newborn prostitute Shay (Hannah Mangan Lawrence) arrives in Sydney on her first night at work and, thanks to her long legs and coming here staring, has been very successful. This success comes at a price and soon ends up making his face unpopular with veteran employees. At that point throughout the city, veteran sex worker Holly (Viva Bianca) prepares for her final career after 15 years in the industry. Flights to Paris have been booked and everything between him and the new beginning is a little story of three people living with drug traffickers.

After the accident of the Extraordinary Nature Reserve shower leaves her without a female bedridden friend, guess which naïve Brunette finds her roaming the streets. Despite the fact that some of the audience members had a good time watching Holly entertained by a salesman and a naked 17-year-old wandering around the table, the task is not so difficult for the women themselves. A vicious man suddenly appears and ends up stoning his “employer” to death. This follows the murderous pursuit of the murderer by the two fleeing prostitutes who have seen his face.

The "revenge" title of the film is mainly about a copper-loving woman from hell who puts her foot on the heads / stomachs of unsuspecting viewers as she approaches the abuses of women in Holly and Shay. "You hate women" you see.

The problem is, you get the feeling that the film does little to address the most sensitive issues in its heart and does its best to make the abuse of these women, a fun and sensual viewing experience. Each blow removes our still-alive heroine and all insults are met with screaming and moaning beyond the climax of the seed-bearing sex film. The action unfolds soon and the film soon loses any of the bizarre tricks that it has always been passionate about.

The biggest point attended by an hour and a half is the long raunch fest is an impressive cinematic by Mark Pugh (Acolytes, Redball). It is not uncommon for a beautiful Sydney resort to look stunningly beautiful. The whole action takes place at night when Pugh makes extensive use of neon lights and dimly lit back streets of this lovely city. His paintings make the torn dirt sound tricky and do an excellent job of adding a class touch to the processes.

There is always the opportunity, however, that we all take this approach seriously. If we look at the depressed audience in many places throughout the X (especially as our heroines handcuffed remembering that the taxi driver they met randomly is an escape artist - quickly! Call him!).

What people think about this movie 🍿:-

(1) Young men, do not worry. The acting is not surprising, (except for Viva Bianca who may be the only thing that made this movie worthwhile) you don’t understand why the actors behave the way they do. The history of the story is unforgettable, many things remain unexplained. SUPER absurd. The concept and story seem good at first but too many pieces do not fit together. They can keep you interested and connected because you hope that somehow everything will go smoothly in the end. NO. 2 out of 3/10 are good for nude characters, but for others it doesn't help. FRONT LINE: If you enjoy incredible frustration keep grabbing popcorn and get ready for this ride.
(2)The other girl who was supposed to join the thiesome with the customer is not playing, so she has to find a replacement. Enter Shay (Hanna Mangan Lawrence), a teenager who ran away from her first night as a prostitute. Holly took her to work. But things are getting worse and sooner girls are fleeing for their lives.
This was an OK movie, if not predicted in some way. I would not have tried it if it had not been for the beloved and talented Viva Bianca. She's really good at it. The same is true of Hanna Lawrence. There is a sense of familiarity with the structure. Also, many built-in features happen to raise doubts. That might offend some viewers. Finally, an attractive thriller with lovely parts. Fans of Viva Bianca will definitely want to check it out.
(3) A film that is truly sad, sickening, and really depressing. If you want to see humanity as a group of selfish, greedy, selfish, evil people, then this movie is for you. The basic human beings fight all spirits in order to survive and gain offspring, which is less than the Maslow triangle of the category. Writing and production show that women were greatly influenced by their disdain for men. Deceptive ideas everywhere: A woman 100 # continuously beats big, muscular men, tough street criminals, and thugs. No human compassion, virtue, or love can be found anywhere in this movie (sic).
(4) I watched this film with the intention of seeing two actors working together on a project that was different from what I had previously enjoyed. Viva Bianca and Hannah Mangan-Lawrence provided excellent performances, and I enjoyed the depth they gave to their characters, which I was sure had little to do with writing.
The film is one reaction after another, the poor girls did not have the opportunity to collect themselves and make an impact on the story, they just got caught in a weird mess.
There was a time when the girls seemed to be on the verge of turning a corner, but that soon turned into a boxing match that gave them something to do instead of plotting.
(5) The film started well but as the minutes went by, I wanted to press the fast forward button because I was lonely.
By all means, this is not the worst movie I've ever seen. But with actors like Viva Bianca and director Jon Hewitt I was expecting something better. This movie reminds me of Dane Giraud's "Luella Miller" since 2005 in a way.
There are probably many others who disagree with me but in my opinion, this film is not even worth renting. There are so many other good films in this category.